Hidenori Nakajo is a New York-based award-winning sound designer, engineer and mixer. NYC: Protest Song (LaMaMa), Still (Sheen Center, DR2), Molly Sweeney (Irish Rep), The Life & Smiles of Marc Summers (New World Stages), The Creeps (Playhouse 46), OCTET (Signature, Obie Award, Drama Desk nom., Lucille Lortel nom., Henry Hewes Design Awards nom.), Autumn Royal (Irish Rep, Drama Desk nom., Henry Hewes Design Awards nom.), mɔːnɪŋ [morning// mourning] by Gelsey Bell (Prototype Festival), Dodi & Diana (HERE for Colt Coeur), Regional: Satellites (Dorset Theatre Festival), The Subject Was Roses (Bay Street), OCTET (Berkeley Rep), Moby Dick (A.R.T., Elliot Norton Award), Guys & Dolls (Guthrie), Still (Dorset Theatre Festival), Other World (Delaware Theater Company), Hold These Truths (People’s Light), Into the Burrow, A Peter Rabbit Tale (Alliance Theatre, Suzi Bass Awards), A Gift of Love with Adam McKnight (Alliance Theatre). Broadway Associate: Camelot, The Kite Runner, The Front Page. Broadway Assistant: The Lightning Thief, Be More Chill, Allegiance, Gigi. Tour Associate: Stereophonic (1st National Tour), Sailor Moon Super Live (North American Tour), The Kite Runner (North American Tour), My Fair Lady (NE Tour). Music Composition: Recently made international theatre debut as a composer for a stage reading of New Renaissance In Paris - Pyramid of 1989 in Tokyo Japan. He holds an MFA in Sound Design from Carnegie Mellon University. A member of IATSE ACT, United Scenic Artists/Local USA 829. A member of a Colt Coeur Theater Company. www.hjnsounddesign.com