Camille Thibault-Bédard

A graduate in Fashion Design from Collège LaSalle, Camille Thibault-Bédard began her career as a seamstress in the garment industry. Her keen attention to body lines naturally led her toward bespoke and made-to-measure work. From 2010 to 2013, she worked as an assistant designer for Liz Vandal, where she developed her practice as a dance costume designer. During this time, she contributed to costume productions for major companies including La La La Human Steps, Compagnie Marie Chouinard, Washington Ballet, and Cirque Éloize. Since then, she has collaborated as a designer with Manon fait de la danse (Icône À Vendre), Nancy Leduc (Projet Harlequin), Corpuscule Danse (Variations pour corps multiples), David Pressault Danse (EROS Journal), Kimberley De Jong (Boxher), Jane Mappin (Ils m’ont dit and Silk), Les 7 Doigts (Triptyque and Projet Fibonacci Maroc, Vice & Vertu, Ren-geteg, Passagers), and James Viveiros (Play:Back and TERRE). Continuing to support emerging fashion designers such as Bon Vivant, Betina Lou, and Marmier, she maintains a close connection between fashion and dance—an ongoing exploration of clothing designed for the moving body.

A graduate in Fashion Design from Collège LaSalle, Camille Thibault-Bédard began her career as a seamstress in the garment industry. Her keen attention to body lines naturally led her toward bespoke and made-to-measure work. From 2010 to 2013, she worked as an assistant designer for Liz Vandal, where she developed her practice as a dance costume designer. During this time, she contributed to costume productions for major companies including La La La Human Steps, Compagnie Marie Chouinard, Washington Ballet, and Cirque Éloize. Since then, she has collaborated as a designer with Manon fait de la danse (Icône À Vendre), Nancy Leduc (Projet Harlequin), Corpuscule Danse (Variations pour corps multiples), David Pressault Danse (EROS Journal), Kimberley De Jong (Boxher), Jane Mappin (Ils m’ont dit and Silk), Les 7 Doigts (Triptyque and Projet Fibonacci Maroc, Vice & Vertu, Ren-geteg, Passagers), and James Viveiros (Play:Back and TERRE). Continuing to support emerging fashion designers such as Bon Vivant, Betina Lou, and Marmier, she maintains a close connection between fashion and dance—an ongoing exploration of clothing designed for the moving body.

Person dressed in a costume with a brown hat and scarf, holding a vintage telephone and appearing surprised or shocked.

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