Douglas is making his musical theatre debut in Harmony. As an operatic bass-baritone he has appeared in concerts and opera across North America and Europe. Recent opera credits include Tigrane at Opéra de Nice, Dido and Aeneas with the Boston Early Music Festival, and the world premiere of Charles Wuorinen’s It Happens Like This at the Guggenheim Museum Theater, and Oliver Knussen’s Higglety Pigglety Pop! at the Tanglewood Music Center. With the music director Ted Taylor he has created several cabarets of American songbook repertoire. Future engagements include new productions of Handel’s Acis and Galatea directed by Mark Morris at Lincoln Center, Aggipina with Opera Omaha, and Monteverdi’s Orfeo at the Berlin Staatsoper with the dancer/choreographer Sasha Watlz. Doug can be heard on the Grammy-nominated recording of Psyché with the Boston Early Music Festival (2008). He trained at Yale, New England Conservatory, and acting at Shakespeare & Company.
Douglas Williams
Douglas is making his musical theatre debut in Harmony. As an operatic bass-baritone he has appeared in concerts and opera across North America and Europe. Recent opera credits include Tigrane at Opéra de Nice, Dido and Aeneas with the Boston Early Music Festival, and the world premiere of Charles Wuorinen’s It Happens Like This at the Guggenheim Museum Theater, and Oliver Knussen’s Higglety Pigglety Pop! at the Tanglewood Music Center. With the music director Ted Taylor he has created several cabarets of American songbook repertoire. Future engagements include new productions of Handel’s Acis and Galatea directed by Mark Morris at Lincoln Center, Aggipina with Opera Omaha, and Monteverdi’s Orfeo at the Berlin Staatsoper with the dancer/choreographer Sasha Watlz. Doug can be heard on the Grammy-nominated recording of Psyché with the Boston Early Music Festival (2008). He trained at Yale, New England Conservatory, and acting at Shakespeare & Company.