Nora Winsler is a versatile and accomplished director who has made significant contributions to numerous productions across the United States. For the past two years, Winsler held the position of Resident Assistant Director at Virginia Opera. After touring seven productions with the company and directing their 2022 outreach show, Jack and The Beanstalk, Winsler returns to Virginia Opera to direct Il Barbiere di Siviglia this fall. Tapped as an assistant director by leading directors, Winsler has worked with Tara Faircloth, Kevin Newbury, Joachim Schamberger, and Mary Birnbaum. Most recently, Winsler’s work has been seen at Des Moines Metro Opera where she was the assistant director on Carmen and directed several scenes for the Apprentice Artist Scenes Concerts. In 2022, she contributed to the success of two productions at the Glimmerglass Festival working with Francessca Zambello and Brenna Corner (Tenor Overboard) and Kimille Howard (The Passion of Mary Cardwell Dawson). Previous directing credits include All is Calm and Extraordinary Women at Opera North and Hänsel und Gretel at Luray Opera in 2017. She was honored with the Robert L.B. Tobin Director Designer Prize for Choreography by Opera America in 2022. During her time at James Madison University, she received an Undergraduate Research Grant for her project titled “Best Practices in Interdisciplinary Arts Collaboration… and Tea” in 2017.
Nora Winsler
Nora Winsler is a versatile and accomplished director who has made significant contributions to numerous productions across the United States. For the past two years, Winsler held the position of Resident Assistant Director at Virginia Opera. After touring seven productions with the company and directing their 2022 outreach show, Jack and The Beanstalk, Winsler returns to Virginia Opera to direct Il Barbiere di Siviglia this fall. Tapped as an assistant director by leading directors, Winsler has worked with Tara Faircloth, Kevin Newbury, Joachim Schamberger, and Mary Birnbaum. Most recently, Winsler’s work has been seen at Des Moines Metro Opera where she was the assistant director on Carmen and directed several scenes for the Apprentice Artist Scenes Concerts. In 2022, she contributed to the success of two productions at the Glimmerglass Festival working with Francessca Zambello and Brenna Corner (Tenor Overboard) and Kimille Howard (The Passion of Mary Cardwell Dawson). Previous directing credits include All is Calm and Extraordinary Women at Opera North and Hänsel und Gretel at Luray Opera in 2017. She was honored with the Robert L.B. Tobin Director Designer Prize for Choreography by Opera America in 2022. During her time at James Madison University, she received an Undergraduate Research Grant for her project titled “Best Practices in Interdisciplinary Arts Collaboration… and Tea” in 2017.